BIOGRAPHY

Trained under the guidance of distinguished teachers such as Noam Zur, Carlos Vieu, María Laura Muñiz, Jorge Rotter, Jordi Mora, Jorge Lhez, Arturo Diemecke, Xavier Puig, Eduardo Browne, Lucia Zicos, and Guillermo Scarabino, Pablo Bonacci is developing a solid career in the symphonic, operatic, and choral fields, with a particular emphasis on historically informed performance and contemporary Latin American music. As an assistant conductor, he has collaborated with Jorge Lhez in productions of the Ballet del Sur and with Luis Manuel Sánchez in the Symphonic Band of the Faculty of Music at UNAM, experiences that have enriched his artistic perspective.


His career as a guest conductor includes performances with ensembles such as JOFICAT in Barcelona, the UNAM Symphonic Band in Mexico, Camerata UCASAL, the Jóvenes Talentos Orchestra of Buenos Aires, and the Santa Cruz Philharmonic, covering a broad repertoire ranging from classical works to world premieres. In recognition of his academic excellence, he was awarded the “Juan José Castro” Prize by the Argentine Catholic University.


Alongside his work as a conductor, he specializes in early music under the tutelage of Manuel de Olaso at the Manuel de Falla Conservatory, participating in projects with historical instruments alongside Hernán Vives and Federico Ciancio. This dual training allows him to confidently approach both traditional repertoire and historically informed performance practices. He also participated as a continuo player alongside Maestro David Gómez García, Director of the UCASAL University School of Music, in various projects with students of the Bachelor’s Degree in Musical Arts.


In the academic field, he served as Professor of Sacred Music History and Coordinator of Extension and Research at the Catholic University of Salta, where he took part in the project analyzing the symphonic works of Alberto Ginastera together with Maestro Guillermo Scarabino. His work combines scholarly rigor with intense artistic activity, building bridges between musical tradition and innovation.

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